At the heart of my artistic practice lies an exploration of urban space as a vessel for time, memory, and change. My work is an ongoing attempt to capture the pulse of the present in the rhythm of the city and make it visible in fleeting interventions.
Each work is intended as a temporary document of time — a silent intervention in urban space that momentarily recharges places without identity and gives them their own language. These traces are subject to change from the outset: they arise in public space, become part of its dynamics, and eventually disappear again in the currents of urban transformation.
As soon as my works have found their place in urban space, they are no longer my property. They belong to the city, to chance observers, to the weather, and to the incessant process of change.
The motifs themselves emerge without a fixed background; it is only through their contextualization in the urban environment that they attain their final form. In the tension between figurative representation and the raw dreariness of urban surfaces, an aesthetic emerges that is both contrast and symbiosis — a dialogue between image and environment, between artistic gesture and urban reality.